![]() ![]() ![]() Dennis Lim’s Artforum dispatch from Cannes pauses briefly to ponder the merits of László Nemes’ Son of Saul and concludes that, either despite or because of Nemes’ “showboating” tendencies, it’s a film that will “spawn a thousand think pieces.” If the ruminations that follow will, I’m afraid, constitute one of the first of those think pieces, it’s probably because the prospect of writing a straightforward review of Son of Saul is rather wearying. ![]()
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